In homage to the release of T R O P I C O last week, i thought it necessary for context to publish the full poem, written by Walt Whitman, which our dear Lana recites an excerpt from as she writhes around our screens...enjoy.
 
 
1 
I sing the body electric, 
The armies of those I love 
engirth me and I engirth them, 
They will not let me off till 
I go with them, respond to them, 
And discorrupt them, and 
charge them full with the charge of the soul. 
Was it doubted that those who 
corrupt their own bodies conceal themselves? 
And if those who defile the 
living are as bad as they who defile the dead? 
And if the body does not do 
fully as much as the soul? 
And if the body were not the 
soul, what is the soul? 
2 
The love of the body of man or 
woman balks account, the body itself balks account, 
That of the male is perfect, 
and that of the female is perfect. 
The expression of the face 
balks account, 
But the expression of a 
well-made man appears not only in his face, 
It is in his limbs and joints 
also, it is curiously in the joints of his hips and wrists, 
It is in his walk, the 
carriage of his neck, the flex of his waist and knees, dress does not hide him, 
The strong sweet quality he 
has strikes through the cotton and broadcloth, 
To see him pass conveys as 
much as the best poem, perhaps more, 
You linger to see his back, 
and the back of his neck and shoulder-side. 
The sprawl and fulness of 
babes, the bosoms and heads of women, the folds of their dress, their style as 
we pass in the street, the contour of their shape downwards, 
The swimmer naked in the 
swimming-bath, seen as he swims through the transparent green-shine, or lies 
with his face up and rolls silently to and fro in the heave of the water, 
The bending forward and 
backward of rowers in row-boats, the horseman in his saddle, 
Girls, mothers, house-keepers, 
in all their performances, 
The group of laborers seated 
at noon-time with their open dinner-kettles, and their wives waiting, 
The female soothing a child, 
the farmer’s daughter in the garden or cow-yard, 
The young fellow hoeing corn, 
the sleigh-driver driving his six horses through the crowd, 
The wrestle of wrestlers, two 
apprentice-boys, quite grown, lusty, good-natured, native-born, out on the 
vacant lot at sun-down after work, 
The coats and caps thrown 
down, the embrace of love and resistance, 
The upper-hold and under-hold, 
the hair rumpled over and blinding the eyes; 
The march of firemen in their 
own costumes, the play of masculine muscle through clean-setting trowsers and 
waist-straps, 
The slow return from the fire, 
the pause when the bell strikes suddenly again, and the listening on the alert, 
The natural, perfect, varied 
attitudes, the bent head, the curv’d neck and the counting; 
Such-like I love—I loosen 
myself, pass freely, am at the mother’s breast with the little child, 
Swim with the swimmers, 
wrestle with wrestlers, march in line with the firemen, and pause, listen, 
count. 
3 
I knew a man, a common farmer, 
the father of five sons, 
And in them the fathers of 
sons, and in them the fathers of sons. 
This man was of wonderful 
vigor, calmness, beauty of person, 
The shape of his head, the 
pale yellow and white of his hair and beard, the immeasurable meaning of his 
black eyes, the richness and breadth of his manners, 
These I used to go and visit 
him to see, he was wise also, 
He was six feet tall, he was 
over eighty years old, his sons were massive, clean, bearded, tan-faced, 
handsome, 
They and his daughters loved 
him, all who saw him loved him, 
They did not love him by 
allowance, they loved him with personal love, 
He drank water only, the blood 
show’d like scarlet through the clear-brown skin of his face, 
He was a frequent gunner and 
fisher, he sail’d his boat himself, he had a fine one presented to him by a 
ship-joiner, he had fowling-pieces presented to him by men that loved him, 
When he went with his five 
sons and many grand-sons to hunt or fish, you would pick him out as the most 
beautiful and vigorous of the gang, 
You would wish long and long 
to be with him, you would wish to sit by him in the boat that you and he might 
touch each other. 
4 
I have perceiv’d that to be 
with those I like is enough, 
To stop in company with the 
rest at evening is enough, 
To be surrounded by beautiful, 
curious, breathing, laughing flesh is enough, 
To pass among them or touch 
any one, or rest my arm ever so lightly round his or her neck for a moment, what 
is this then? 
I do not ask any more delight, 
I swim in it as in a sea. 
There is something in staying 
close to men and women and looking on them, and in the contact and odor of them, 
that pleases the soul well, 
All things please the soul, 
but these please the soul well. 
5 
This is the female form, 
A divine nimbus exhales from 
it from head to foot, 
It attracts with fierce 
undeniable attraction, 
I am drawn by its breath as if 
I were no more than a helpless vapor, all falls aside but myself and it, 
Books, art, religion, time, 
the visible and solid earth, and what was expected of heaven or fear’d of hell, 
are now consumed, 
Mad filaments, ungovernable 
shoots play out of it, the response likewise ungovernable, 
Hair, bosom, hips, bend of 
legs, negligent falling hands all diffused, mine too diffused, 
Ebb stung by the flow and flow 
stung by the ebb, love-flesh swelling and deliciously aching, 
Limitless limpid jets of love 
hot and enormous, quivering jelly of love, white-blow and delirious juice, 
Bridegroom night of love 
working surely and softly into the prostrate dawn, 
Undulating into the willing 
and yielding day, 
Lost in the cleave of the 
clasping and sweet-flesh’d day. 
This the nucleus—after the 
child is born of woman, man is born of woman, 
This the bath of birth, this 
the merge of small and large, and the outlet again. 
Be not ashamed women, your 
privilege encloses the rest, and is the exit of the rest, 
You are the gates of the body, 
and you are the gates of the soul. 
The female contains all 
qualities and tempers them, 
She is in her place and moves 
with perfect balance, 
She is all things duly veil’d, 
she is both passive and active, 
She is to conceive daughters 
as well as sons, and sons as well as daughters. 
As I see my soul reflected in 
Nature, 
As I see through a mist, One 
with inexpressible completeness, sanity, beauty, 
See the bent head and arms 
folded over the breast, the Female I see. 
6 
The male is not less the soul 
nor more, he too is in his place, 
He too is all qualities, he is 
action and power, 
The flush of the known 
universe is in him, 
Scorn becomes him well, and 
appetite and defiance become him well, 
The wildest largest passions, 
bliss that is utmost, sorrow that is utmost become him well, pride is for him, 
The full-spread pride of man 
is calming and excellent to the soul, 
Knowledge becomes him, he 
likes it always, he brings every thing to the test of himself, 
Whatever the survey, whatever 
the sea and the sail he strikes soundings at last only here, 
(Where else does he strike 
soundings except here?) 
The man’s body is sacred and 
the woman’s body is sacred, 
No matter who it is, it is 
sacred—is it the meanest one in the laborers’ gang? 
Is it one of the dull-faced 
immigrants just landed on the wharf? 
Each belongs here or anywhere 
just as much as the well-off, just as much as you, 
Each has his or her place in 
the procession. 
(All is a procession, 
The universe is a procession 
with measured and perfect motion.) 
Do you know so much yourself 
that you call the meanest ignorant? 
Do you suppose you have a 
right to a good sight, and he or she has no right to a sight? 
Do you think matter has 
cohered together from its diffuse float, and the soil is on the surface, and 
water runs and vegetation sprouts, 
For you only, and not for him 
and her? 
7 
A man’s body at auction, 
(For before the war I often go 
to the slave-mart and watch the sale,) 
I help the auctioneer, the 
sloven does not half know his business. 
Gentlemen look on this wonder, 
Whatever the bids of the 
bidders they cannot be high enough for it, 
For it the globe lay preparing 
quintillions of years without one animal or plant, 
For it the revolving cycles 
truly and steadily roll’d. 
In this head the all-baffling 
brain, 
In it and below it the makings 
of heroes. 
Examine these limbs, red, 
black, or white, they are cunning in tendon and nerve, 
They shall be stript that you 
may see them. 
Exquisite senses, life-lit 
eyes, pluck, volition, 
Flakes of breast-muscle, 
pliant backbone and neck, flesh not flabby, good-sized arms and legs, 
And wonders within there yet. 
Within there runs blood, 
The same old blood! the same 
red-running blood! 
There swells and jets a heart, 
there all passions, desires, reachings, aspirations, 
(Do you think they are not 
there because they are not express’d in parlors and lecture-rooms?) 
This is not only one man, this 
the father of those who shall be fathers in their turns, 
In him the start of populous 
states and rich republics, 
Of him countless immortal 
lives with countless embodiments and enjoyments. 
How do you know who shall come 
from the offspring of his offspring through the centuries? 
(Who might you find you have 
come from yourself, if you could trace back through the centuries?) 
8 
A woman’s body at auction, 
She too is not only herself, 
she is the teeming mother of mothers, 
She is the bearer of them that 
shall grow and be mates to the mothers. 
Have you ever loved the body 
of a woman? 
Have you ever loved the body 
of a man? 
Do you not see that these are 
exactly the same to all in all nations and times all over the earth? 
If any thing is sacred the 
human body is sacred, 
And the glory and sweet of a 
man is the token of manhood untainted, 
And in man or woman a clean, 
strong, firm-fibred body, is more beautiful than the most beautiful face. 
Have you seen the fool that 
corrupted his own live body? or the fool that corrupted her own live body? 
For they do not conceal 
themselves, and cannot conceal themselves. 
9 
O my body! I dare not desert 
the likes of you in other men and women, nor the likes of the parts of you, 
I believe the likes of you are 
to stand or fall with the likes of the soul, (and that they are the soul,) 
I believe the likes of you 
shall stand or fall with my poems, and that they are my poems, 
Man’s, woman’s, child’s, 
youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s 
poems, 
Head, neck, hair, ears, drop 
and tympan of the ears, 
Eyes, eye-fringes, iris of the 
eye, eyebrows, and the waking or sleeping of the lids, 
Mouth, tongue, lips, teeth, 
roof of the mouth, jaws, and the jaw-hinges, 
Nose, nostrils of the nose, 
and the partition, 
Cheeks, temples, forehead, 
chin, throat, back of the neck, neck-slue, 
Strong shoulders, manly beard, 
scapula, hind-shoulders, and the ample side-round of the chest, 
Upper-arm, armpit, 
elbow-socket, lower-arm, arm-sinews, arm-bones, 
Wrist and wrist-joints, hand, 
palm, knuckles, thumb, forefinger, finger-joints, finger-nails, 
Broad breast-front, curling 
hair of the breast, breast-bone, breast-side, 
Ribs, belly, backbone, joints 
of the backbone, 
Hips, hip-sockets, 
hip-strength, inward and outward round, man-balls, man-root, 
Strong set of thighs, well 
carrying the trunk above, 
Leg fibres, knee, knee-pan, 
upper-leg, under-leg, 
Ankles, instep, foot-ball, 
toes, toe-joints, the heel; 
All attitudes, all the 
shapeliness, all the belongings of my or your body or of any one’s body, male or 
female, 
The lung-sponges, the 
stomach-sac, the bowels sweet and clean, 
The brain in its folds inside 
the skull-frame, 
Sympathies, heart-valves, 
palate-valves, sexuality, maternity, 
Womanhood, and all that is a 
woman, and the man that comes from woman, 
The womb, the teats, nipples, 
breast-milk, tears, laughter, weeping, love-looks, love-perturbations and 
risings, 
The voice, articulation, 
language, whispering, shouting aloud, 
Food, drink, pulse, digestion, 
sweat, sleep, walking, swimming, 
Poise on the hips, leaping, 
reclining, embracing, arm-curving and tightening, 
The continual changes of the 
flex of the mouth, and around the eyes, 
The skin, the sunburnt shade, 
freckles, hair, 
The curious sympathy one feels 
when feeling with the hand the naked meat of the body, 
The circling rivers the 
breath, and breathing it in and out, 
The beauty of the waist, and 
thence of the hips, and thence downward toward the knees, 
The thin red jellies within 
you or within me, the bones and the marrow in the bones, 
The exquisite realization of 
health; 
O I say these are not the 
parts and poems of the body only, but of the soul, 
O I say now these are the 
soul!